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Kakiseni Blog A foot in the Malaysian arts scene! The plot is pretty straightforward, with only minor tweaks from its original run. Ming dreams of finding a life in a big city away from Ipoh and Leong is content with inheriting his father’s durian business. Fast forward ten years later, Ming returns to Ipoh as a hotshot contractor, with plans to tear down the market and construct a new building in its place. The vendors are either confused or incensed, caring little for the monetary compensation Ming promises. Coda: Fast forward yet another thirty years, Ming comes back to Ipoh.

Wong Coffee Shop is still standing, but no longer run by Ming’s father, who died penniless. Not knowing his father’s sacrifice, Ming sips on a cup of white coffee, which no longer tastes the same. The entire cast gave very respectable performances. Jon Chew was my favourite, a brilliant piece of casting replacing Douglas Lim from the previous run.

I especially liked that he didn’t need much to age and was equally believable as a teenager, an adult and an elder. The various aunties were also well-played, particularly Mak Ton by Tria Aziz, whose high notes were a delight, and Sani Zainal Abidin played the kaypoh Tai Soh to a T. Ringo too could have had much more confident swagger — all I felt was annoyed at someone who came off as a wannabe bigshot. The plot itself is relatable — everyone is familiar with the internal battle between staying put in comfortable surroundings and venturing out into the new. Duty bound, filial Leong stays in Ipoh quite happily, proud to be carrying on his father’s business. What’s wrong with the old ways? Ming makes it very clear that there’s nothing wrong with the old ways, nor are the new ways better per se.